Rendez-vous at the cinema, Wednesday 6 June afternoon, Paris

13 May 2018

As part of the Latin Quarter Bible Festival organised by many Parisian friends,
we would like to invite you to a private screening of the film of our show-event in December 2016:

Divine Syllabes

  • Wednesday 6 June 2018 at 5.30pm
    Cinéma-Studio Galande-Béruchet 42 rue Galande, 75005 Paris (next to St-Séverin church)
    Free admission, subject to availability
    (PAF and DVD available)

    It will be followed by a discussion with Marie Montegani, director, Michel Pétrossian, composer, Olivier-Thomas Venard, designer, and the other artists present.

_

Our scroll presents the best results of our research in an innovative interface.
In this Beta version, It offers new translations of the main versions of the Scriptures, accompanied by rich multimedia content.

Access the scroll

_

This internet platform is a comprehensive tool for researching, studying and reading the Bible.

Access to the collaborative platform

_

Bibleart mobile application will offer a new French translation of the entire Bible enriched with thousands of multimedia contents, resulting from the work of our specialists.

Go to BibleArt

These articles may interest you

Nouvel élan de notre développement numérique

Nouvel élan de notre développement numérique

2 March 2022

On December 17, 2021, for the first time, all our regular developers were physically gathered, thanks to the hospitality of the company Spyrit which develops several of our interfaces, for a meeting prepared by fr. O.-Th. Venard with the advice of Gad Barnea. During several hours of work, it was an opportunity to recapitulate nearly […]
Islamic” notes in our Bible?

Islamic” notes in our Bible?

13 May 2018

A number of PRIXM readers and users of our digital Bible Scroll have asked for guidance on the relationship between the Bible and the Koran. We have received the first part of the work of our collaborator Marc Lobit, from the Institut des Hautes Études du Monde Religieux: the establishment of the main “parallels”, guided […]