< Back to news

Biblical sciences and artistic creation: the example and testimony of a collaborator

1 July 2019

Michel Petrossian, a composer in great demand throughout the world, kindly invited us to talk about his links with our research programme, on the occasion of a portrait devoted to him by *Le monde de la Bible*.

_

Our scroll presents the best results of our research in an innovative interface.
In this Beta version, It offers new translations of the main versions of the Scriptures, accompanied by rich multimedia content.

Access the scroll

_

This internet platform is a comprehensive tool for researching, studying and reading the Bible.

Access to the collaborative platform

_

Bibleart mobile application will offer a new French translation of the entire Bible enriched with thousands of multimedia contents, resulting from the work of our specialists.

Go to BibleArt

These articles may interest you

PRIXM: our service of the Word to the general public recognised by the Church

PRIXM: our service of the Word to the general public recognised by the Church

13 May 2018

We were delighted to discover that the bishops of France recommend our weekly newsletter as a quality resource for teaching the faith to the younger generation. In particular, the Diocese of Versailles and the Diocese of Lille have listed us as one of the web initiatives to be highlighted for Formation… Offer Prixm to your […]

With our friends

21 June 2023

At the institut des Sources Chrétiennes, A magnificent study day on Jerome’s Hebrew Names was held on 19 November in Lyon. Laurence Mellerin is once again organising a seminar on the reception of Ecclesiastes, with the following programme: As a reminder, BIBLINDEX, the online scriptural index of the Fathers of the Church, is a website […]
CORPUS OF INSCRIPTIONS AND THE BIBLE IN ITS TRADITIONS

CORPUS OF INSCRIPTIONS AND THE BIBLE IN ITS TRADITIONS

27 January 2019

The Bible is omnipresent in medieval inscriptions, as it is in many other medieval writings. The visual and material dimension, as much as the verbal, of these texts engraved in stone, wood or metal, leads us to analyse “epigraphic exegesis” within the monumental or objectal framework of their supports, and more broadly as part of […]