The Jerusalem office in summer 2019

31 July 2019

(de g. à dr.) Xavier Lafontaine, Louis de Bretizel, Anaelle Broseta, Marie Gué, Pauline Duchamp, et Constance Albert.

Not since the launch of “The Bible in its Traditions” have our Jerusalem offices been so full and overflowing with activity. This summer, no fewer than 7 young researchers are benefiting from international mobility grants to work on the site of our Bible cathedral.

Translation of the Vulgate 0.2

Anaëlle Broseta, a graduate of the Ecole Normale Supérieure and an agrégée de Lettres Classiques, Marie Gué, an agrégée de Lettres and doctoral student, Constance Albert and Pauline Duchamp, Latin lecturers at the Institut de Philosophie Comparée, Xavier Lafontaine, a graduate of the Ecole Normale Supérieure and one of our very first assistants, Louis de Bretizel, a chartist, are re-reading, book by book, our translation of Saint Jerome’s translation, making it smoother and more readable, and beginning the harmonisation that will make it ‘fit’ like a complete Bible.

The Bible in contemporary art

Virginie Laurent

Virginie Laurent, a doctoral student at the EHESS, has come to enrich our bible with precious images and commentaries on works of art from the 20th and 21st centuries, work that will continue from Paris in the coming months.

A philosopher in Qohelet

Arthur Magnier

Arthur Magnier, a graduate of the Ecole Normale Supérieure in Lyon and a philosopher, has implemented in our database the numerous translations and notes on Qohelet that were previously sent in Word format by our colleague and friend Prof. Jean Jacques Lavoie of the Université du Québec à Montréal (Canada). Jean Jacques Lavoie, of the Université du Québec à Montréal (Canada).

The Bible in the Koran

Jean-David Richaud

Jean-David Richaud, a doctoral student in medieval history at Paris I, has come to continue the systematic insertion of and commentary on passages in the Koran that quote Scripture.

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The Bible is omnipresent in medieval inscriptions, as it is in many other medieval writings. The visual and material dimension, as much as the verbal, of these texts engraved in stone, wood or metal, leads us to analyse “epigraphic exegesis” within the monumental or objectal framework of their supports, and more broadly as part of […]