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23 Because if anyone is a hearer of the word and not a doer, this [one] is like a man observing his natural face in a mirror;
23 For if anyone is a listener of the Word, but not also a doer, he is comparable to a man gazing into a mirror upon the face that he was born with;
23 For if any be a hearer of the word, and not a doer, he is like a man who sees his face in a mirror;
24 for he observed himself and has gone away, and immediately forgot what sort of [man] he was.
24 and after considering himself, he went away and promptly forgot what he had seen.
24 For he sees himself and goes his way, and forgets how he looked.
25 But the [one] who looks into the perfect law of liberty and continues [in it], and is not a forgetful hearer but a doer of the work, this one shall be blessed in what he does.
17–27 Use in Lectionary →RCL : Proper 17, Year B
19–27 Use in Lectionary
22–27 Use in Lectionary →RML (1570) : 5th Sunday after Easter
23ff like a man who observes the appearance of his birth Kierkegaard: How to Read Scripture as in a Mirror →, in a reflection on Mirror.Jas 1:22–27, exhorts his readers :
25b hearer of forgetfulness Genitive: Semiticism The use of a noun in the genitive is used as an adjective "forgetful hearer," which is not usual in Greek. It apparently imitates the construct chain in Hebrew.
25a perfect law of freedom Allusion in the Book of Common Prayer
22–25 doers of the word Semiticism The phrase "doers of the word" (poiêtai logou) most likely has a Semitic background. The most obvious referent of this phrase in Greek would be to poets: "makers of words" (e.g., 1.11.2: poiêtai logou). It is thus most likely influenced by the corresponding Hebrew "to do the word" ( ‘śh dbr), which often has the sense of performing words such as commandments (e.g., Ps 148:8: "Lightning and hail, snow and thick clouds…that fulfills his command").
Since for James "word" is equivalent with law (cf. the parallel in Jas 4:11: poiêtês nomou), James is here likely imitating the Scripture passages that refer to the "doing of the law (Torah)" (Jewish Tradition 1:22).
24b what he was like Referent: Fallen or Renewed Human Nature? The Greek hopoios ên means literally "of what sort he was"; cf., 1Cor 3:13: "the fire will test what sort of work each has done" (NRSV).
Later Christian interpretation understands James to refer to human nature: either the original human nature created in God's image, fallen human nature, or human nature renewed by Christ (Christian Tradition 1:23-24).
25c that one will be blessed in his doing Echo The one who both hears and does the word and the Law is blessed, just as the one who perseveres through trials is blessed and will receive the crown of life (Jas 1:12). The blessing here doubtless also connotes an eschatological blessing—salvation in the Kingdom (Literary Genre 1:12).
22–25 be doers of the word Theme of Living out Faith in Works This passage introduces James' characteristic focus on action and living out one's faith:
24a he observed …is gone…forgot: Gnomic Aorists The verbs are gnomic aorists: these state general truths or principles, often employed in making general comparisons. Although the aorist is often translated into English using the simple past tense, the aorist actually denotes aspect, namely a single completed action. More generally, it marks an action that lacks temporal duration—hence, it can denote something that is eternal and timeless. Thus it can be used to name states of affairs that are always generally true; in this case it is translated into English with the present tense (cf. Jas 1:11; → § 1931). 1920
22–25 doers of the word Rhetorical Jewel
James gives literary coherence to this section with the repetition of the key nouns akroatês ("hearer") and poiêtês ("doer"):
v 25c: Conclusion: the doer of works is blessed.
Cf. → 322.
23b mirror Greco-Roman Mirrors In Hellenistic times, the typical mirror was hand-held and used mainly for personal adornment. Usually made of polished metal, its reflection was imperfect (cf. 1Cor 13:12: "we see indistinctly, as in a mirror;" Ancient Cultures 1:23b).
25a perfect law The Divine Law Governing the Universe In Stoic philosophy (and the Platonic-Aristotelian tradition generally), that which is “perfect” is “complete” according to nature (secundum naturam; kata phusin). In this sense, “nature” is quite different from the wild, spontaneous, and anarchic view of nature that we have inherited from Romanticism. Nor is “nature” the mere aggregate of corporeal physical movement—as opposed to the realm of mind— as in much of western philosophy after Galileo. For a Platonist or Aristotelian, “nature” (phusis) is energized form (eidos) or form in the process of being actualized: in other words, it is a complex of matter joined with an intellgible structure (i.e., form) set in motion (i.e., experiencing change). In this sense, “nature” is inherently teleological and ordered; hence in ancient Greco-Roman thought, one can derive ethical predicates by appealing to “nature” in a way that is not possible in modern philosophy (cf. →). 1946
Here Seneca, though equivocating somewhat about the meaning of 'nature,' exemplifies this connection between form, nature, perfection, and reason:
23ff mirror Interpretations of the Mirror
As James moves from gazing into a mirror to speaking of looking into" the perfect law of liberty (Jas 1:25), the tradition naturally associates the mirror with the law and thus with Scripture (both Old and New Testaments).
25a law of freedom The Catechism on Freedom →CCC 1965-74 connects the "law of freedom" with the "New Law or Law of the Gospel" (Christian Tradition 1:25a).
One can draw several parallels between the description of the New Law in the CCC and James.
23 mirror Mirror as a Metaphor for Self-Reflection In Greco-Roman cultures, looking into a mirror was often understood as a metaphor for self-reflection. Although physical mirrors can lead to a vain obsession with one's beauty and appearance, gazing upon onself can also inspire self-awareness and virtuous action.
18–27 Exhortation to Doing the Word
Although some interpreters see Jas 1:19 as a thematic statement developed in Jas 1:20–27, the following thematic flow of thought is evident:
23a hearer of the word Identity of Word and Law The second corrector of C, several minuscules, and lectionaries read "of the law" (nomou) instead of "of the word" (logou). The scribes correctly assume that James identifies the two terms (Jas 1:23–25: looking into the mirror of the word || looking into the perfect law of freedom).
22–25 that one will be blessed in his doing Rhetorical Elaboration of Jesus' Beatitude with an Example Jas 1:22–25 can be understood as a rhetorical elaboration of Jesus' saying, "Blessed are those who hear the word of God and observe (phulassô) it" (Lk 11:28; cf. Lk 8:21) or the version in Mt 7:24 (cf. Lk 6:47), "Everyone who listens to these words of mine and acts (poieiô) on them…" Just as Matthew and Luke elaborate the saying with the parable of a house built on rock or sand (Mt 7:24–27; Lk 6:47–49) so too James elaborates the saying with his example (Greek: parabolê; Latin: similitudo) of the forgetful person who looks into a mirror. → ad 7:26 notes the similarity between James and Jesus' teaching ( Sup. Matt. 1987, 271).
23f mirror Philo on the Image of a Mirror Philo uses the image of a mirror to signify contemplation, either of scripture or of one's own self.
Philo compares the process of rationally (logikê psychê) discerning the inner, allegorical sense of Scripture with gazing into a mirror:
→ 96–98 and Migr.→ 2.136–39 refers to the tradition that women gave their mirrors to make the bronze basin in which the priests purified themselves. While purifying themselves, the priests should reflect, as in a mirror, on any sins they may have so they might be purified. Philo also parallels James' reference to remembering: the priest should remember that the basin is made from mirrors. Mos.
25a law of freedom Philo: the Torah Frees One from the Slavery to Passions Philo often makes the point that those who follow the Torah are actually free, in contrast to those who are enslaved by their passions.
Similarly, much of James' moral teaching focuses on the need to free oneself from the domination of passions such as anger and desire.
25a law Philo and the Natural Law of Reason Philo accepted the Stoic concept of a universal law that orders the universe and is innate in the human mind.
The Torah is a written expression of this eternal law of nature implanted in the soul:
23b the appearance of his birth : S his own face S lacks "of his origin."
23f the appearance of his birth What Is Reflected in the Mirror and then Forgotten? The tradition offers various suggestions as to what is reflected in the mirror, and then forgotten:
→specifies some of the lessons the Christian has forgotten ( Iac. Par. 1993, 145; 1997, 131).
25a law Greco-Roman Views on Law and Word James' identification of the implanted word (Jas 1:21) and the "perfect law of freedom" may well rely on Greco-Roman, especially Stoic, ideas.
The Stoics regularly define "law" (Greek: nomos; Latin: lex) as the standard for determining right and wrong.
The Stoics identified the "word" (logos)—the universal reason governing the universe—with law (nomos); see →James: Philosophical Background of Logos.
Right reason and law are also identified with God.
Elsewhere Greek thought assumes that the ultimate source of law is divine:
25a perfect law Theme of Wholeness and Perfection James's use of the adjective "perfect" (teleios) recalls his theme of wholeness, integrity, perfection and completion (→James: Perfection / Wholeness in James ; Ancient Texts 1:4a; Ancient Texts 1:4b; Biblical Intertextuality 1:4b; Peritestamental Literature 1:4b; Christian Tradition 1:4a).
Here, James speaks of the perfection of the Torah through Jesus' interpretation: the Torah of the Kingdom. This law is perfected through love (cf. Jas 2:8).
1:1–5:20 James Depictions of the Author Depictions of James, the author of the epistle, in paintings, statues, manuscript illustrations, engravings, woodcuts, and embroidery on liturgical vestments are particularly prominent in the Middle Ages. A common consensus of the artists is that the author of the epistle is James the Just, leader of the Jerusalem church; he is typically further identified with James, son of Alphaeus, one of Jesus' Twelve (Mk 3:18), and "James the Less" (Mk 15:40). The iconography of James draws particularly on accounts of James recorded in → 23 and Hist. eccl.→ 2, who in turn draw on accounts from Clement of Alexandria and Hegesipus. See also Vir. ill.→James: Introduction.
Several prominent features of these portrayals may be noted:
The following images are noteworthy:
James Among Other Apostles (sculpture on limestone, early 13th c.), South Portal, Chartres Cathedral, France
© D.R. Photo Mary Ann Sullivan→
James holds a club.
(1495–1549), The Last Supper (oil on canvas, ca. 1520, after Leonardo da Vinci [1452–1519], The Last Supper [1495-1498]), 298 cm x 770 cm
Royal Academy of Arts, London, exhib. Magdalen College, Oxford
Public Domain © Wikicommons→
James, who resembles his brother Jesus, is second from his left. This full-scale copy was the main source for the— unfortunate—twenty-year restoration of the original (1978–1998). It includes several lost details such as Christ's feet, the transparent glass decanters on the table, and the floral motifs of the tapestries that decorate the room's interior. It was first mentioned in 1626 by the author Bartolomeo Sanese as hanging in the Certosa di Pavia, a monastery near Pavia, Italy, but it is unlikely that it was intended for this location. At some point, the upper third of the picture was cut off, and the width was reduced. Giampietrino is thought to have worked closely with Leonardo when he was in Milan. A very fine, full-size copy of this painting, before it was cut down, is installed at Tongerlo Abbey in Westerlo, near Antwerp, Belgium.
Lucas
(1472–1553), The Holy Kinship, (mixed media on lime, Wittenberg, 1509), Altarpiece, central panel: 100.4 × 121.1 cm; wings: 40 × 120 cmStädel Museum — 1398, Frankfurt am Main
Public Domain © Wikicommons→
The side and central panels describe a a great hall with blue grey walls and three-colored tiles. In the side panels are depicted the half sisters of Virgin Mary, called after their fathers Mary Cleophas (left) and Mary Salome (right) together with their husbands.
Left panel: St. Mary Cleophas and Alphaeus (with the features of Friedrich the Wise with their two sons, the Apostles St. James the Less (at her breast) and Joseph Justus, called St. Barnabas, as annunciator of the Gospel of Matthew depicted with a book.
Central panel: Joseph, who seems to seems to sleep, the Virgin, dressed in blue with yellow lining, Anna and the Christ Child on her knee, who is stretching out his hand towards an apple given to him by Virgin Mary. Anna's three husbands following → are shown in the background in the matroneum: on the left Joachim, who is attracted by the holy women in front of him and whose relation is also shown by the corresponding blue and yellow color of his dress, Cleophas (with the physiognomy and chain of Emperor Maximilian I and Salomas, with the physiognomy of Sixtus Oelhafen von Schöllenbach, secretary of Friedrich III, Maximilian I and Karl V), who are talking to each other. There is an architectural structure by a great stone bench in the foreground of the central panel with two marble columns on the sides, over which is strectched a cloth of gold. On the right column is a tablet with date and signature: [LVCAS CHRONVS FACIEBAT ANNO 1509. The parapet of the matroneum is decorated by a sculptured frieze with dancing putti holding six escutcheons with the six fields of Electorate of Saxony. In the hall are shown the 17 members of the Holy Kinship. In the central panel are shown two more children of Mary Cleophas and Alpheus, the Apostles Simon, patron saint of weavers, dyers, tanners and saddlers and Jude, who went on mission and suffered their martyrdom together and therefore are regularly depicted together. Leg. aur.
Right panel: St. Mary Salome and Zebedee (with the features of Frederick III, Elector of Saxony, and his brother Herzog Johann der Beständige). St. Mary Salome, dressed in gold with dark red lining, is combing her son Saint James the Greater and while Saint John the Evangelist is hiding in her dress.
Paolo
Cagliari (1528-1888), Saint James, (oil on canvas, ca. 1578), 200 X 85 cm, One of the volets of the organ of the church of San Jacopo, Murano, Venice — the other is a portrait of St. Augustine.Burghley House Collection, Lincolnshire, UK, © A Graduate of Pomona→
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(Domenikos Theotokópoulos) 1541-1614, The Apostle James the Greater, (Oil on canvas, 1610-1614), 100 cm X 80 cm
Museo de El Greco→ (Toledo, Spain), © Wikicommons,
James is shown holding a Bible, symbolizing his status as a scriptural writer, in one hand. James is depicted in the Mannerist style with elongated form and without any of the traditional iconographic symbols
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Nicolò Chorus Venezia→
(1651-1736), San Giacomo Minore (Oil on canvas, 1722-1723), Communion of St James (Series of the Twelve Apostles), Presbytery: right wall, center, Saint Stae,Venezia, ©The risen Jesus appears to James and breaks bread with him (based on an account recorded in → 2, said to be drawn from the Gospel according to the Hebrews). Vir. ill.
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(1671 – 1715), Jacobus Minor (Sculpture on marble, 1710-1711), Gli Apostoli, (h: 424 cm), Nef, San Giovanni in Laterano, Roma, © Wikicommons
James holds a book and club.
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James
(French, 1836-1902), James the Lesser, (Opaque watercolor over graphite on gray wove paper, 1886-1894), 30.6 x 23.5 cm, Brooklyn Museum, 00.159.237, © Brooklyn Museum photograph, 2008James, resembling Jesus, prayers on his knees with outstretched arms. It perhaps reflects Hegesippus' statement that James spent so much time in prayer that his knees were as hard as a camel's.
, James the Just, (pigments on wood, mid. 16th c.), icon, Novgorod or Moskow, Novgorod
Public Domain © Wikicommons→,
The inscription bearing the name of the saint has disappeared, but the iconography—facial features and beard shape —suggest that the icon is of James. Byzantine art places him among the founding fathers of the Church. As the creator of the first liturgy containing memorial services and the author of the message, which speaks of the healing power of prayer (Jas 5:14-16), he was also worshipped in ancient times as a healer. In Novgorod, James is prayed for the end of the epidemics. In sacred iconography, the representations of James of Jerusalem alone are very rare. We know the icons of Novgorod in which he is represented with other saints: Nicholas the Thaumaturgist, James the brother of God, Ignatius the bearer of God, end of the 15th c.; James the brother of God, Cosmas and Damian, 2nd quarter of the 16th c. The icon comes from the best workshops in Moscow or Novgorod.
23b the appearance of his birth Contextual Meaning of the Expression The word genesis, "birth," in the expression to prosôpon tês geneseôs autou can refer to a remote origin (cf. the name of the first book of the Bible), or to one's own birth (e.g., Mt 1:18: the birth, genesis, of Jesus Christ). See also Christian Tradition 1:23-24. Here the phrase here may refer to:
22–25 be doers of the word and not only hearers Echo in the Liturgy of St. James A priestly prayer in the Liturgy of St. James reflects this passage:
25a law of freedom Aquinas on the Law of Freedom Thomas understands James' "law of freedom" as the "new law" or "law of Christ."
Thomas thus speaks of
The new law (the law of Christ) is therefore called a "law of liberty" in two respects (→ST 1-2.108.1 ad 2):
25a law of freedom Stoicism: True freedom in Following the Divine Will (Law)
25a law of freedom James and Paul on Freedom and the Law
See also Biblical Intertextuality Jas2:21–24 and →James: Traditional comparisons of James and Paul on faith, works, and justification
25a law of freedom The Mishnah associates the study of the Torah with freedom:
25a perfect law of freedom Various Interpretations
The law of liberty is further characteristized as the "law of love":
→ ad loc. reflects on the different ways in which the law of freedom leads to greater freedom for the Christian: Comm.
William of Ockham refers to James' law of freedom in his effort to limit papal authority.
Marsilius of Padua, a contemporary of William of Ockham, was also involved in controversies over papal authority. Marsilius held that the Church should have no political and temporal authority, but should be subordinate to the State.